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'I hope I don't OD / she keep saying po' me,' Yo melodically raps over the same DeBarge sample that made Biggie's 'One More Chance/Stay With Me (Remix)' a hit Bad Boy ballad 26 years ago. Needless to say, it's a toxic relationship. There's a lot to be said about men gendering carnal weakness as feminine temptation, but Moneybagg Yo takes it a step further by giving his dependency a pet name: Wockesha is his lover, his therapist, his crutch - but mostly she's the lean in his styrofoam cup.

Pac relied on his trigger-happy 'girlfriend' in this life of sin. Rappers have been personifying their vices as love interests since the beginning of rhyme. 'You rest your head on me under the baby grand / I am frozen, it's so familiar / You've fallen asleep, I hold my own hand.' With a voice that will likely attract any Joni Mitchell aficionado, Anna's stark sound is enthralling, alluring and one-of-a-kind. The singer Anna B Savage, these days based on the West Coast of Ireland, swoons and soars with 'Baby Grand,' telling a deeply personal tale of a complex relationship through a night spent listening to music together under a baby grand piano.

On its own, it's a prayer beyond religion, pulsing with earthly joy. The only original song on Giddens and Turrisi's masterful album They're Calling Me Home, 'Avalon' opens the gateway to its suite of homecoming and homegoing songs. Cowritten with Justin Robinson (of Giddens' former band the Carolina Chocolate Drops), the song arises at death's border: As she, Turrisi and guitarist Niwel Tsumbu lock into each others rhythm, Giddens plays the part of a graveside mourner who suddenly can glimpse the afterlife. 'Avalon,' by American folk exploder Rhiannon Giddens and Italian border-leaper Francesco Turrisi, works that kind of alchemy. The most powerful incantations make you dance. Even as moored as it is in Swiftian fanlore, 'All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)' proves itself to be Swift's most authentic song, a significant credit to her vast discography that sets the record straight once and for all. The edited five-and-a-half-minute version is blame-free and even nostalgic, but the 10-minute version of 'All Too Well' is a seething, scorched earth tragedy as Swift, rightfully so, transforms into the crazed woman she's been made out to be all along. New, meticulous lyrical details reveal that from the inside, the highly publicized and theorized relationship in question was unequal. In returning to a past relationship that left her with outsized discomfort, she bridges youthful grief with mature perspective. The most powerful weapon in Swift's arsenal is her ability to deploy a collective memory of her romantic life. With this 10-minute version of cult classic 'All Too Well,' Swift extends compassion to her vulnerable younger self through damning, targeted lyrics - 'And I was never good at telling jokes, but the punch line goes, 'I'll get older, but your lovers stay my age' ' - and studious observations. At 31, Swift has now released Red (Taylor's Version), revisiting some unprocessed wounds with nine years of distance, freeing her to relish an anger she once restrained herself from expressing. 'All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)'ДЄt 22, Taylor Swift released 2012's Red and came of age in the interstices between country and pop, heartbreak and freedom. Stream NPR Music's 100 Best Songs of 2021: Spotify / Apple Music / Tidal / Amazon Music / YouTube Music

JEREMIH LOVE DONT CHANGE YOUTUBE FREE

If you find yourself losing steam or feeling down or wondering when things will finally turn around, feel free to skip the rest of 'All Too Well.' (Jk, Taylor!) (Oh, and you can find our 50 Best Albums of 2021 here.) It's our sincere hope that as you make your way through our 7-hour playlist of the year's 100 best songs, you'll feel the same. In other words, we could be human again, and it felt good to be back. Perhaps we kept some truths concealed during dire straits, so as not to appear frivolous (or feral) in the face of unforgiving circumstance. Maybe, after 20 months behind masks, we felt like revealing ourselves again. Perhaps the crowning of Cardi and Megan's 'WAP' last year signaled a transgressive sea change. 'Only here to sin.' That admission from NPR Music's song of the year lies at the heart of many of the stories told across these 100 tracks.

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